Archive | Writing

Designing Your Creative Space

flamingo

flamingoOne of the hardest things about being a writer isn’t finding the time to write. It’s learning how to set up a space – physical, emotional, spiritual – that enables you to be creative.

Accessing that creative space isn’t unique to writing. It’s something all artists need to do. I have a painter friend, for example, who begins each day with the following ritual: First, he cleans his pallet of the prior days’ work. This is the most important part for him. Having his tools fresh and clean and all laid out in front of him allows him to sweep away the toil and struggle from the day before, thereby opening up new artistic possibilities. Then he puts on some music. He also makes sure to always have numerous pieces in progress hanging in his studio. He takes some time looking at them until one catches his attention and then he begins work on that. When he gets really stuck, he tries something completely new.

My routine isn’t all that different. In order to “cleanse my pallet” of the prior day’s work, I spend one hour – but no more than one hour – editing whatever it was I was last working on the day before. This might be a chapter from my book, a blog post, or a personal essay. Spending one hour editing allows me to feel that I’ve “fixed” whatever it was that I allowed myself to leave on a loose end the day before. If other thoughts come to me while I’m in editing mode – sometimes it’s just a snippet of an idea or an image – I jot them down in a notebook so that I can remember to file them in the appropriate place later on.

Then I start the main project I’m working on and continue to pursue that for the next several hours. Even if it’s completely different from the piece I was editing, having spent an hour editing one project frees me up to be creative somewhere else. When I get stuck, I start a new chapter. And I never, ever listen to music while I’m writing.

I also have a few gimmicks I employ to get myself started. For instance, I never start writing until the minute hand is resting on one of the numbers on the clock face. So, for example, if I sit down at my desk at 9:17 a.m., I wait until 9:20 to start writing. Why do I do this? Lord knows. But I’ve been doing it for so long that, at this point, I need to do it in order to begin working.

Other writers have their own rituals. Some people need to face a blank wall in order to start. Others need to have a view out a window. One friend always eats an apple before she begins. Philip Roth famously wrote standing up.

Lately, I’ve been focusing less on my creative routines and more on my creative environment. On the advice of Julia Cameron – of The Artist’s Way fame – I’ve made sure that my physical writing space is an upbeat one. So I’ve taken everything off my desk that’s dull and administrative and left only a handful of objects that make me happy, including: a ceramic heart my son made for me when he was seven on Valentine’s Day…two pins that read “15 Today” which my husband and I wore out to a restaurant on our 15th anniversary…a miniature Big Ben trinket that someone gave me for my key chain when I moved to London for good luck.

I’ve also hung up some quotes – what Cameron calls “affirmations” – above my desk, that are there to remind me to feel confident as I embark upon my creative endeavours. When I left my job, a colleague friend gave me two cards – one that read “You are a flamingo in a  flock of ordinary seagulls” and one that read “You leave a little bit of sparkle wherever you go.” I look at those quotes every morning to  remind myself of what I can bring to the world.

Finally, I’ve even started to “dress” for writing. A friend of mine just published a (great!) book entitled Legendary Authors and the Clothes They Wore. It’s a book about the mutually reinforcing relationship between an author’s signature look and their writing style. At her book launch in London, my friend was asked if she had a “uniform” that she wore while writing the book. Turns out that she did: even if she was going to spend the entire day at home and never see a soul, she dressed up in a nice frock to inspire herself to tackle this material.

In a similar vein, right before I left my old job, a younger colleague whom I’d mentored gave me a necklace with the words @RealDelia inscribed on a small pendant. For me, that necklace symbolizes this blog, which I launched way back when as a way of rediscovering my voice as an adult and sharing those insights with others. I wear the necklace now when I’m writing my book to remind myself to always circle back to the authentic me.

The bottom line is that creativity isn’t just about having the talent or the time. It’s about being able to readily call up whatever it is inside you that draws that creativity out. And it takes awhile to figure out which routines and props are most conducive to that process.

How do you access your creative space? I’d love to know.

Image: Phoenicopterus ruber via Wikipedia.com

 

Tips For Adulthood: Five Reasons to Start Journaling

fountain pen

fountain penOn occasional Wednesdays I offer tips for adulthood.

Re-entry is always difficult. This is true when you’re coming back from a trip and you need to get back into your daily routine. And it’s equally true when you’ve been laid off and need to create a new space to accomplish your goals, whatever those might be.

In my own case, it meant returning to my book project on swimming and adulthood.

At first, I felt overwhelmed. I was terrified of even peeking at my book, let alone writing a blog post. All the familiar writers’ fears plagued me: What if I had run out of ideas? What if, when I dared to look back at my book draft,  it was all sh#$? What if, after all this, I really wasn’t meant to be a writer after all?

I knew that it in order to get back into the swing of things, I would need to create a system. And although I already had a fixed morning routine back when I was working full-time, in this new, uncharted territory, I felt like I needed something else.

And so, following the guidance of creativity Guru Julia Cameron – I’ve started keeping what she calls “Morning Pages.” Morning pages are three pages of longhand, morning writing about absolutely anything. They are to be written first thing in the morning, and shown to no one. As Cameron puts it, “I like to think of them as windshield wipers, swiping away anything that stands between you and a clear view of your day.”

So now every day, before I do anything else, I sit down and write three pages of whatever is top of mind. With a pen.

I’ll have more to say about what else I’m learning from Cameron another time. Today, let me focus on five reasons journaling can be so useful:

1. It’s therapeutic. If, like me, you often wake up in a panic-driven sweat, consumed by anxiety from your dreams, a current life crisis, or simply the latest episode of Homeland, keeping a journal helps. It lets you get out all of the bile that’s sitting in your system – not just your anger and frustration, if those are there, but also your fears and your worries. I often spend about half of my 3 pages on my dreams alone, just narrating what happened in them, how I felt, and which random characters from my 50 years of existence happened to wander in and pay a visit. Dear God, is it cathartic to get all that down on the page and out of my head and my body. If you can’t afford a therapist, journaling can help.

 2. It will stimulate your creativity. This is why Cameron recommends it. And it’s true. In the past two weeks since I started journaling regularly, I’ve not only had ideas for my book, but for blog posts, creative non-fiction, op-eds and short stories. They come to me, unbidden, without needing to brainstorm. They just jump out of my unconscious. And every time that happens, I jot them down and save them. It’s fantastic that by actually taking time away from writing, I am fortifying my writing. But you don’t have to be a writer for this to help unlock your creativity. It can apply to all manner of creative endeavours: sculpting, painting, dancing, singing. Whatever it is that’s inside of you and wants to come out.

3. It will make you more productive. This isn’t the primary reason I’m journaling every morning, though I suppose I am hoping that in sparking my creativity, I’ll also become more productive. But others swear by journaling as key to helping you prioritize, clarify thinking, and accomplish your most important daily tasks. It’s worked for the likes of Albert Einstein, Reid Hoffman and Leonardo Da Vinci. It might also work for you.

4. It will help you focus on the big picture. In my own case, in addition to all the writing ideas journaling is generating, it’s also helping me to zero in on what I really want to do next with my professional life. At this point, those insights come more in the form of verbs and feelings than in concrete job descriptions. But they are beginning to cohere and take shape, pointing me in the direction of me.

5. It’s fun. I mentioned earlier that one of the key, non-negotiable aspects of keeping a journal is to do it long-hand. That initially feels very old-school for we of the key-board generation, but once you get the hang of it, it really does help you to feel more connected to what’s on the page. Right before I left my previous job, my colleagues bought me a really fancy fountain pen as a good-bye present. While I was delighted with the gift, I didn’t initially know exactly how and when I’d be able to use it. Now I do.

So try it. And let me know how it goes.

Image: Fountain Pen via Wikimedia Commons

Advice for Writers Struggling with Genre: Ask This Question

bookshelf

bookshelfIf you’ve ever thought about writing a book, the very first thing anyone will tell you is to figure out which “shelf” it will sit on in a bookstore. It’s not enough to simply have a topic, or even an angle into a topic. You need to know who’s going to buy this book. Because book publishing, like anything else, is a business and the key to a successful business is knowing your market.

I knew all of this, of course. Over the years, I’ve been in enough writing groups and consumed enough resources devoted to the art and science of getting published that I knew that were I someday to approach an agent with an idea for a book, I’d need to be able to provide a cogent answer to this question.

And then someday arrived and I wasn’t quite sure how I wanted to answer it.

Let me back up. I’ve been working for several months on a book about…drumroll please…swimming and adulthood. After more than 25 years as a “casual runner” – someone who ran three times a week to stay fit – my body was telling me that that I could no longer run. The reasons why I needed to stop running aren’t all that interesting. (Well, OK, something called Piriformis Syndrome, if you must know…) But the upshot was that, on the advice of my doctor, I began – somewhat reluctantly – to swim.

This obviously not an entirely new topic for me. This blog’s strapline – “Finding Yourself In Adulthood” – is all about conceptualizing adulthood as a journey, not a destination. But whereas the blog tackles topics ranging from work and parenting to therapy and the arts in a much more general way, the daily act of swimming enabled me to analyse these subjects through a single prism. In essence, swimming serves as a metaphor through which to explore what it means to be a grown up in the contemporary age.

But even after I started writing this book, I still struggled with where it fit on the proverbial bookshelf. Was it an extended meditation on swimming itself, Like Leanne Shapton’s Swimming Studies?  Was it a sports memoir a la Gerald Marzaroti’s Late to the Ball about picking up a new skill (tennis) in midlife? Was it a humorous, loosely themed take on daily life, modelled on David Sedaris or Sandra Tsing Loh?  Or a was it a collection of more serious essays like Meghan Daum’s The Unspeakable?

On alternate days it felt a bit like all of these.

It didn’t help that when I showed my précis (2 page overview) of the book to a few friends I got very different advice. One friend thought that it needed to be funnier, more like my daily status updates which I post on Facebook recounting the cast of characters I run into at my local swimming pool. Another friend thought that it should be a novel. Someone else advised me to convert it into an inspirational journey, the sort of Eat, Pray, Love of swimming.

Instead of writing the book, I began to obsess about genre.

And then, one day, at the tail end of a dinner party while chatting about this problem with a friend, I had my Eureka moment. My friend is a novelist who has written several novels in the Lad Lit genre and is on the cusp of becoming a sensation with his latest work-in-progress, which has already been snatched up by a major New York imprint. (He’s also sold the film rights. As he put it so beautifully, “Who knew that becoming an overnight success took so long?”)

After I regaled him with all of my anxieties about what the book could and should be, he looked at me and simply said: “Write the book that only you could write.”

It wasn’t rocket science. Nor was some dark, heretofore unknown secret of the publishing world. But for me, it was sort of like that age-old adage: “When the student is ready, the teacher appears.” And just like that, I immediately felt better.

Because I realised in that moment that I actually *had* been writing the book that only I could write all along. While it had elements of several different styles, at the end of the day the book I was writing was essentially a self-help book, albeit one very much rooted in my own experience. (I’ve since learned that there is a name for this sub-genre – self-help memoir or prescriptive memoir. Thank you, Jane Friedman.)

For me, my friend’s throwaway line (heartfelt, to be sure, even if infused with a few glasses of red wine), was clarifying: I need to stop obsessing over what other people think my book is meant to be. That comes later. For now, the book is already what I need it to be: a place to bring my voice and my insights to a topic I’ve long been passionate about with a fresh angle.

In a year where my new year’s resolution was to embrace authenticity, that feels pretty good.

Image: Bookshelves by Hernán Poo-Camaño via Flickr

Should Fareed Zakaria Be Forgiven For Plagiarizing?

I’ve always thought that Fareed Zakaria was a bit too slick.

It’s not that I don’t like him. I share the pundit’s broadly liberal internationalist view towards world affairs. And unlike many wonks (the big exception here being the University of Chicago’s Austan Goolsbee), Zakaria’s actually got a sense of humor, which is always a plus.

But there was always something a bit too cute by half about this good-looking, well-spoken darling of the Center-Left with his million dollar smile.

So it didn’t come as a huge surprise when I learned that Zakaria had become embroiled in a plagiarism scandal that has – temporarily, at least – cost him two of his plum platforms: Time and CNN. On Friday, both news outlets suspended Zakaria while they investigated charges that he had lifted passages from an article by New Yorker writer Jill Lepore on gun control. He has since apologized to Lepore and taken full responsibility for the incident, which he described as a “serious lapse.”

Read the rest of this post on The Washington Post’s She The People website…

 

Image: Fareed Zakaria at the Newsweek Offices by barthjg via Flickr under a Creative Commons license

Introducing: She The People

Hello everybody and Happy New Year!

I’m just back from Argentina, where I failed to learn the Tango and consumed far too much Malbec and red meat than could possibly be healthy for one person. Stand by for updates on all manner of things personal and political.

In the meantime, I wanted to share some really great news. Those of you who’ve been reading this blog for some time will remember that not so long ago, I used to write for a women’s blog on www.PoliticsDaily.com called Woman Up. It was a fabulous experience professionally, intellectually and socially and when it ended, there was a huge void in my life.

I’m therefore delighted to announce that as of this week, many of those same writers – myself included – will now be writing for a new women’s blog on The Washington Post, entitled She The People, where we explore “the world as women see it.”

I’ll be chiming in later today and tomorrow with a couple of my maiden posts on She The People, which will henceforth form part of my regular repertoire here on RealDelia.

But for now, please do stop by and check us out. I couldn’t be more excited to be writing with this talented group of women.

We rock. We really and truly do.

 

Image: We The People by Rishi Menon via Flickr under a Creative Commons license.

 

 

Tips For Adulthood: Five Ways To Improve Your Fiction

Every Wednesday I offer tips for adulthood.

So I’m back working on my novel again. I’m not going to lie to you. It hasn’t been easy.

When I sat down in a café a few weeks back and read through the first 50 pages, I almost packed it in right then and there. When all is said and done, you can read all the “just-keep-at-it” narratives you want (including, most recently, Kathryn Stockett’s tale of how it took her 60 tries before selling The Help), but at the end of the day, when it’s just you and a big, fat pile of revisions staring you in the face it’s really easy to give up.

But I didn’t. I’d promised my fiction writing group that I would devote August to revising the beginning of the book. When you really need to get something done, there’s nothing quite like making a public announcement to hold yourself accountable.

I also kept at it because I want to see what – if anything – comes of this project. And summer is a great time for tackling big things.

And of course, that age-old adage always holds true:  which is that the fear of attacking something on your dreaded to-do list is always much greater than the actual task itself.

I’ve offered tips for how to edit productively before. This week’s advice tackles the craft of writing fiction. Whether you’re secretly aiming to be the next J.K. Rowling or you just dabble with fiction in your spare time, here are five posts that will serve you well:

1. Beginnings. Over on Copyblogger, writing instructor Jeff Sexton has a great post on how to hook your readers. Drawing on screen-writing guru Robert McKee’s concept of the inciting incident, Sexton advises readers to identify, up front, that moment or incident that’s gets the story rolling and lead with that. Most of us – myself included – do way too much throat-clearing at the beginning of our stories. Get rid of all that. Don’t underestimate what the reader already knows. And always have in mind the final mental image you want your readers to come away with and write towards that.

2. Character. Respecting your audience is also a theme driven home by Becky Tuch over on the fabulous writing blog Beyond The Margins. Like me, Tuch is a recently-converted enthusiast of The Wire. In her post What Fiction Writers Can Learn From The Wire, she notes that what makes this television show work so well isn’t just the complexity of the plot and authenticity of the dialogue. It’s that the writers consistently use little character traits to illustrate bigger themes (e.g. McNulty’s failed marriage to talk about failed institutions more generally). And they also create dangerous characters like Omar Little. A character whose very presence embodies the threat they pose to the other characters will be someone readers will be riveted to see.

3. Dialogue. Robin Black also writes eloquently about character and dialogue at Beyond the Margins in a post called You Don’t Say. Black points out that fiction’s real appeal is that it allows us to have unlimited access to the thoughts of other people. But dialogue isn’t the only tool for accessing those thoughts. Rather, she recommends writing scenes where you have your character think of saying something but then decide against it, have a character’s mind wander so that she loses track of the conversation, and/or insert a running commentary of what the character is actually thinking along side the real-time conversation. I’ve been trying all three techniques lately and really enjoying it.

4. Plot. One of my favorite bloggers on fiction writing is A. Victoria Mixon. Mixon is chock full of useful advice. But I really liked a post she did on plot. Mixon suggests that all novelists place four post-it notes above their desks: one that reminds them of the central “what if?” premise of their story line, one that reminds them of their protagonist’s over-arching, all-consuming need, another that reminds them of that protagonist’s conflicting need, and one that identifies the protagonist’s worst nightmare. So simple. Genius.

5. Originality. There’s an old writer’s saw that there are really only seven original story lines out there and everything you read or see is a re-working of one of those. That may be so, but if you’re hoping to peddle your fiction to an agent or a literary journal anytime soon, be sure to have a look at this list of plots, story-lines, techniques and situations we often see over-used or poorly executed at the Hayden’s Ferry Review. Ouch. (Hat tip: Practicing Writing)

 

Image: Write by the trial via Flickr under a Creative Commons license.

Aging: The Power Of Giving Back

When I was younger, I didn’t think all that much about “giving back” to my community. The professions I chose – academia, policy, journalism – I selected because they tickled my fancy. They were fun, exciting, challenging.

And if – in the course of pursuing them, I happened to make a difference in someone else’s life – so much the better. But that wasn’t my primary goal in life. It was all about me.

As I delve ever more deeply into middle age, however, I find that I derive the most meaning when I’m helping other people. Perhaps this is unusual. We are, after all, purportedly living in an age of narcissism.

But I don’t think I’m all that unique. Indeed, I think that one of the great unheralded truths of middle age is that all the clichés turn out to be true. Among them:  the power of giving back.

Which is perhaps why I am so taken with Colleen Wainwright – aka Communicatrix’s – 50th birthday party celebration. Colleen has decided that as she hits this landmark birthday, she really doesn’t need any more “stuff.” She already has plenty of toasters.

Rather, what would really make her happy is if she could raise money for a non-profit in her home town that’s in need of some help. The non-profit is called WriteGirl. It’s a Los Angeles-based organization which partners teen-aged girls with women writers for creative writing workshops and one-on-one mentoring.

Colleen’s been involved with Write Girl for several years now. As she explains in this blog post about that experience:

I have cried at every WriteGirl workshop I’ve been to. I’ve also rarely laughed so joyously as I have there, nor felt more hope for humanity. These are amazing girls, all of them. They vary in their levels of introversion and extroversion, boldness and shyness, just like the rest of us, but each of them has been 100% present and committed at every workshop I’ve been to…They engage, they ask questions, they play, and they write. Oh, boy do they write, and how.

So in honor of her 50th birthday – which is exactly 50 days from today – Colleen has set herself the challenge of raising $50,000 to support Write Girl. As she notes, mastering the ability to write opens doors, builds self-confidence and self-esteem, and increases a girl’s chances of earning a living for herself and changing the world for present and future generations.

Pretty simple, huh?

So please. Pop by and pay a visit and see for yourself what this whole thing is about. See if you aren’t inspired to give something – even something small – to support this fabulous cause.

Bonus? There are lots of cool give-away prizes.

Double Bonus? If Colleen hits her goal by her birthday, she will shave off all of her hair.

(Wow. If it were *my* birthday, I might need to buy a wig.)

And thanks.

 

Image: Day 167 – Head by TiggerT via Flickr under a Creative Commons license

 

What David Sedaris Teaches Us About Middle Age

My husband and I went to see David Sedaris on Friday night.

He was doing a reading of his work at Cadogan Hall here in London. (The last time we went to Cadogan Hall it was to see Garrison Keillor. I think you know you’re middle-aged when you start spending your weekends attending events headlining NPR personalities. Must add it to my list…)

If you aren’t familiar with Sedaris, have a listen to Santaland Diaries – a diary of his Christmas spent working as an elf at Macy’s – which catapulted him to overnight fame. When it was first broadcast, this essay generated more requests for tapes than any story in Morning Edition’s history except the death of veteran sports caster Red Barber.

If you are familiar with Sedaris, then you’ll know why we jumped at the chance to hear him perform live.

He didn’t disappoint.

He was funny, engaging, self-effacing and gracious.

He also told a bunch of off-color jokes. Apparently, during his recent book tour in the U.S., he started asking people who came up to have their books signed to tell him a joke. He has now collected some of the best ones he’s heard and uses them as part of his routine. He even asked our audience to tell him some raunchy gay jokes. (Sedaris is gay.) He feels like people are too abashed to tell him any.

Above all, however, it was really inspiring to watch someone who is clearly having so much fun in his chosen profession. At one point – while reading a new piece he’s written about why traveling to China has made him hate Chinese food – he actually cracked himself up and had to stop for a moment to regain his composure before carrying on with the reading. I loved that.

When author Frank McCourt died, I wrote a post about the joys of old age and how McCourt’s life is a great example of how it’s never too late to follow your dreams. Sedaris achieved literary success in his early 30’s, but somehow he’s never quite lost that air of the up-and-coming-guy who’s still shuffling around cleaning other people’s apartments and working as an elf over the Christmas holidays because he needs the extra money.

In short, he acts like someone who’s still waiting to catch his big break. And therein lies his genius and his charm. You get the sense that this is a guy who still doesn’t take anything for granted. Rather, he lives life by being a careful observer of it: by drawing out the humorous and the touching in the million little particles that make up every day, and by and finding never-ending ways to make himself laugh as he does so.

What a treat. We should all be so lucky.

David Sedaris by WBUR via Flickr from a Creative Commons license.

A Virtual Toast To My Community Of Women Writers

Apologies if you’ve been trying to access the blog and had trouble. The blog is shortly to undergo a re-design and we have hit a few speed bumps along the way. Thanks for your patience. Stay tuned for RealDelia 2.0, coming soon to a theatre near you!

Yesterday I posted on the changes afoot over at Politics Daily and their practical implications for freelance writers like myself in forcing us to be more enterprising.

Today I wanted to address the emotional side of that equation.

As I think I’ve mentioned at several points over the past couple of years, I’ve had an absolute blast working at Politics Daily. When I started there, I’d taken a few years off from journalism to write a novel and launch this blog. So it felt great to roll up my sleeves and dive back into the brainstorming, research and reporting that goes into being a journalist. It was also a lot of fun to return to the sorts of international topics that I once taught and wrote about as a scholar.

And because the website was starting from scratch as a player in Online political journalism, I got to learn by doing about this thing we call ” new journalism” and all of the social media tools and 24/7 news frenzy that goes with it.

In short, it has been – and continues to be – a great learning and growth experience for me professionally.

Above all, however, the main reason that I have loved working at Politics Daily has been the community that grew up around it. It’s true of the publication as a whole and its top-notch columnists and editors. What a super crew. And it’s especially true of my little corner of the world there: Woman Up.

You’ve seen a lot of the work I’ve done for them over the past two years on this very page:  stories about the economics of abortion and the reality of socialized medicine as well as why I think it’s time to life the Cuba embargo and the connection between universities and terrorism.

But what you don’t see is the lovely and supportive community of women that’s grown up behind that space along the way. Most of us didn’t know each other before Woman Up began. Now we chat constantly with each other On line. We share story ideas. We laugh. We argue. We write.

I wrote a  post a few weeks back on this blog about the importance of making real-life friends. Woman Up has by in large been a virtual community of friends for me (although I did have the enormous pleasure of meeting many of the ladies in person at a cocktail party in Washington, D.C. over the holidays.) But even as a virtual coffee clutch, it’s been a vital part of my social and intellectual life for the past few years.

This virtual cocktail party (did you notice how I just seamlessly escalated us from coffee to vodka?) may now come to an end, at least in its present incarnation. We’ll know for sure soon. But even if it carries on under a different banner, it will likely be different.

That’s not necessarily a bad thing. I like change, after all. And the only thing that’s constant in life is change, so they say. But regardless of how things shape up in the future, I’m incredibly grateful to have been a part of this fine group of female journalists.

As I live in London, we  normally “raise a glass” on occasions like this and say “Cheers.”

But my Irish grandmother always said it in Gaelic: “Slainte.”

So Slainte, ladies. It’s been a great ride.

May it continue.

Image: Laura at Computer by panguy100 via Flickr under a Creative Commons license.

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Tips For Adulthood: Five Ways To Be Enterprising As A Freelancer

Apologies if you’ve been trying to access the blog and had trouble. The blog is shortly to undergo a re-design and we have hit a few speed bumps along the way. Thanks for your patience. Stay tuned for RealDelia 2.0, coming soon to a theatre near you!

Every Wednesday I offer tips for adulthood.

On her inspiring e-zine, The Prosperous Writer, Christina Katz has a great post this week about the need for writers to be enterprising. Christina defines enterprising as “ready to undertake projects of importance or difficulty or characterized by great imagination or initiative.”

For her, it’s about undertaking projects that will change you and cause you to grow. It’s about getting inspired. And it’s definitely not about being passive, timid or cautious.

Christina’s exhortation is well-timed. If you’ve been following the news this week, you probably know that shortly after midnight on February 7th, AOL announced that it had purchased The Huffington Post and the two companies will now merge into one media behemoth.

AOL is the parent company of Politics Daily, where I’ve been freelancing for the past two years along with a slew of other journalists. At the moment, the future of our publication is somewhat uncertain.

As that process sorts itself out, both practical and emotional factors come into play. I’ll have more to say about the emotional side of things some other time. On the practical end, however, the sudden, overnight upheaval at Politics Daily is a fresh reminder that freelancing is an inherently unstable endeavor, especially in the current economy.

Which means that in order to survive, you really need to be…well, enterprising. Here are five ways freelancers can be enterprising in their careers:

1. Diversify Your Projects. There are lots of reasons to take on different kinds of projects as a freelancer. It keeps you fresh. You learn new skills. You increase your chances of getting more work. But in today’s economy, it’s also a necessity. Relying on a steady gig is great…until it’s no longer there. So by all means get out there and expand your portfolio. It hedges against risk…and you might just discover something new that you love.

2. Exploit Your Network. One way to diversify your skill set is to draw on contacts you have in other parts of your life to drum up new business ideas. Through a casual acquaintance at my daughter’s school, I landed a gig last week writing about home improvement for a magazine targeted at retired people. What did I know about the Small Office Home Office (that’s SOHO to me and you) before I started? Zip. But I learned. And now they’ll likely ask me to do more. In a similar vein, the other day I was working in the cafe attached to my yoga studio when I struck up a conversation with the owner. Afterwards, it occurred to me that he might be interested in advertising on my new blog once it’s up and running. And so on…

3. Experiment. And while you’re at it, try something completely new. Career guru Marci Alboher recommends taking an inventory of your skills and talents to devise a list of potential paths you might pursue. If you teach, write or consult. If you write, teach. Etc., etc. I’ve recently signed on to teach a series of journalism workshops to secondary school (high school) students around London. That in turn led to an offer to teach adults in a continuing education program. A freelance consultant friend of mine who normally analyzes political risk for a living is working with a programmer to launch a new company. Experimentation is crucial to growth. And it will also sharpen your core skills.

4. Protect Your Assets. In what would now appear to be a particularly prescient post I wrote a few weeks back, I talked about the importance of backing up your files, especially if most of your work is Online. And that’s because while it’s generally true that things live forever on the internet, plenty of publications will  – without warning – decide to yank your URLs and not link to them anymore. So yesterday – while monitoring the fate of Julian Assange – I went back and made PDFs of all of my Politics Daily articles…just in case.

5. Carry on. Change is distracting…and can be debilitating. So unless and until you know what’s coming next, the best thing you can do is to carry on with your work. In my case that means that all week long, I’ve kept pitching and I’ve kept writing. Because, to paraphrase a colleague, “We ain’t dead yet.” To wit?

Here’s my latest on the Berlusconi sex scandal.

Enjoy.

Image: My Online Business Card by Michael Kwan via Flickr under a Creative Commons license.

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