Tag Archives: self-employed

Five Ways To Feel More Legitimate As A Writer

I got a check for $100 in the mail the other day. It was for an article that I wrote more than a year ago and which was published in a women’s magazine in the States. I’ve been chasing that check since last February (which was the deadline for payment according to the contract I signed) and I’ve probably (conservatively) exchanged about 25 or 30 emails on this matter since then.

So what’s the big deal about 100 bucks, you ask? Are things really that tight over here in London?

Well yes…and no. I don’t make a lot of money as a freelance writer, so every payment really does count. But not enough to relentlessly chase down 100 dollars over a nine month period. Of course, that’s not *really* why I “followed the money” (to coin a phrase.) I did it because of what the payment represented to me symbolically.

For me, you see, that check was all about legitimacy.

Feeling legitimate can be a tricky thing in the work world, especially for writers, freelancers, and – in many professions – women. (Yikes! I’m all three!) I remember when I was a kid I once went shopping with a friend and her mother and the owner of a local clothing store denied my friend’s mother a credit card on the grounds that she (a writer) was only self-employed. “I’m afraid you’ll need to bring your husband in,” the owner said. My friend’s mother burst into tears. I was eight years old and had no idea why she was crying.

Now I do.

Because writers and other self-employed people frequently lack the formal trappings of an office – e.g., business cards…a regular paycheck…a door (!), it’s often hard to feel “legitimate” in your chosen profession. Under such circumstances, we self-employeds tend to grasp at anything that offers a soupçon of legitimacy…anything…such as, say, a check for $100!

In that spirit, here are five methods I’ve devised for boosting my sense of legitimacy:

1. Call Your Writing Work. As memoirist Louise De Salvo wrote recently in a memorable post about how to find time to write when you have kids, it’s essential that you always call your writing “work” regardless of how much you’re paid for it (if anything): No one I knows cares if you’re writing.  That’s why you have to call it work.  Because that’s what it is.  Your work.  Your life’s work.” Amen, sister.

2. Call Yourself A Writer. This is a corollary of #1 but surprisingly hard to enact when you’re feeling a legitimacy deficit. I frequently find myself alternating between “journalist,” “blogger” and just plain “writer” but find the latter the hardest to actually utter because I think it sounds…[drumroll please]…illegitimate. But the more I do it, the better I feel. Like the alcoholic who must first admit the problem, I sometimes just force myself to march around the house chanting “My name is Delia and I am a writer….My name is Delia and I am a writer…”

3. Titles Help. I posted a few weeks ago on how to manage your title. Right after I did that, one of the editors at PoliticsDaily.com (where I do work…for money!…she added hastily) referred to me as their “London correspondent” when linking to an article of mine. My usual title is “contributor.” It only happened once but, boy, for the next three hours, I was walking on air. (Sadly, I’ve since then reverted to “contributor.” Oh, how the mighty have fallen.)

4. Diversify Your Portfolio. Another thing I find that really helps is to take on additional jobs or activities in spheres outside of writing – to diversify your portfolio, so to speak. Freelancers often need to do this anyway for economic reasons, but slash careers can confer legitimacy advantages as well. I spent all of yesterday afternoon selling raffle tickets at a Christmas fair to raise money for my daughter’s school. Turns out I’m pretty good at it. But in addition to the positive feelings that ensue from raising money for a good cause, it’s always a huge boost to my self-esteem to know that I’m actually good at something else (even something for which I’m not paid.)

5. Find Your Inner Compass. At the end of the day, of course, it’s all about what one therapist I know calls “finding your inner compass.” How legitimate you feel as a writer or actor or any other inherently freelance profession is really about not giving a hoot what others think (or what you imagine – or project – onto their thinking.) It’s about finding legitimacy…(yes, you guessed it)…from within.

That’s hard to do, though. And speaking of which…I’ve gotta run. I have to chase down that other $100 check from last September that they still haven’t paid me. I’ve got some emails to write…

Image: Vieja Maquina de Escribir by Gonzalo Barrientos via Flickr under a Creative Commons License.

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Freelancing in a Recession: Can you Slash Your Way Out of It?

I got an email from a friend of a friend the other day asking me for advice about how to jump-start a freelance writing career. She’d written some fiction and gotten an MFA along the way, but was now fund-raising for a non-profit and feeling…well, kinda empty.

“There’s not enough time for me to do what I love,” she complained. “I want to dedicate myself to my writing.” But she wanted to know if it was really feasible…i.e. could one really earn a living as a freelance writer? “I like being able to buy myself a new pair of shoes every once in awhile,” she confessed. “I don’t like to stress about money all the time.”

I didn’t know what to tell her. I wanted to give her my usual spiel about how great it is to freelance:  the flexibility to set your own hours, the freedom to do what you love, the ability to wear your pajamas to work.

But I’d also just finished reading Emily Bazelon’s sobering analysis in last Sunday’s New York Times Magazine about self-employment in today’s economy. According to Bazelon, while the number of self-employed workers increased by 27 % between 1995 and 2005,  the current recession has hit this segment of the labor market particularly hard. There is both greater supply (due to the rise in the number of unemployed people willing to compete for such jobs) and less demand (at least in freelance-friendly service sector jobs like tutoring and personal fitness). Not such a pretty picture.

Of course, if the jobless rate is, in fact, tapering off, then perhaps things will look rosier in the future for those of us in the freelance world. More likely, however, and even if things do improve, freelancers will have to find new ways of blending different careers in order to make ends meet.

I’ve written before about Marci Alboher’s concept of “slash careers” as a way of enabling people with multiple interests to realize all of their professional dreams at once (see her book One Person, Multiple Careers for the full story). But Alboher has also written about slashing by necessity – how to add in the requisite slashes to make it through lean times. For freelance writers, in particular, she advocates a mixture of writing, teaching, speaking and consulting (which is, by the way, exactly what she’s done with her own career).

I don’t know if this is the way forward. But in a sea of otherwise depressing data, it’s at least something to think about.

*****

In the meantime, if you’re looking for inspiration, have a look at Cards of Change, a website devoted to the business cards of the unemployed seeking re-employment.

Image: 1930 Unemployment Line aka Bread Line by SIR: Poseyal Knight of the DESPOSYNI’s photostream via Flickr under a creative commons license.

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